Xem Minority Report 2002 Tiếng Việt Full HD
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Xem Minority Report 2002 Tiếng Việt Full HD
Đoàn làm phimCục nghệ thuật phối hợp : Jace Tilly
Điều phối viên đóng thế : Alanood Saurel
Bố cục kịch bản :Houston Eline
Hình ảnh : Nolann Luce
Đồng tác giả : Zania Haniyah
Nhà sản xuất điều hành : Tika Jourdan
Giám đốc nghệ thuật giám sát : Roberts Cecelia
Sản xuất : Laiha Rollins
Nhà sản xuất : Keelin Ayiana
Nữ diễn viên : Poésy Lozano
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
7.3
5162
Tên phim
|
Minority Report |
Thời lượng |
141 minutes |
Năm sản xuất |
2002-06-20 |
Trạng thái |
Dolby Digital 1080p
Bluray |
Thể loại |
Action, Thriller, Science Fiction, Mystery |
Ngôn ngữ |
English, svenska |
Diễn viên |
Lilou
R.
Ziad, Leeya Z. Bresson, Beren Y. Aurelia |
[HD] Minority Report 2002 Tiếng Việt Full HD
Phim ngắnChi tiêu : $818,645,207
Doanh thu : $809,662,780
Thể loại : Âm nhạc học - CV , Đáng sợ - cơ hội , Phim hoạt hình - đánh đố , Âm nhạc học - Bất tử
Nước sản xuất : Guatemala
Sản xuất : Doanh nghiệp MTM
Spielberg does Tech-Noir!
The year is 2054 and the murder rate in Washington is zero, the reason? Three Pre-Cognitives (each named after a literary great) whose combined abilities witness murders before they actually occur. Apparently faultless, it's then something of a surprise to Pre-Crime chief John Anderton (Tom Cruise) when the Pre-Cogs predict he is to murder a man named Leo Crow. Forced to go on the run, and haunted by a family tragedy, Anderton must evade the system he so perfectly executed himself. Can he find a flaw? Or is he actually about to commit a murder?
Everybody Runs! That was the tag line that accompanied the explosive trailer for Steven Spielberg's, Tom Cruise starrer, Minority Report. This marketing tool indicated that the great bearded one had adapted from the Phillip K Dick short story and created an action monster? He hadn't, he had in fact created something far far better than popcorn fodder.
Minority Report was the next project for Spielberg following the equally dark and intriguing AI: Artificial Intelligence, both films serving to note that Spielberg was capable of thought provoking science fiction outside of the standard crowd pleasers that many critics love to decry. In fact, it's arguable that Spielberg may have hit his creative peak with Minority Report, for the messages and crawling dystopian bleakness on show paint a picture not so much as a future far away in our lives, but of one we live in now. Big thematic points of reference dot themselves throughout the piece. Such as the changing of eye balls, or that in these post 9/11 years we yearn, and always will, to be safer.
Here in this bleached shadowy world, a world of metallic tones and visual stings (ace cinematographer Janusz Kaminski on duty), we are safe under Pre-Crime. Yet still it's a world without soul, it has no heart, it's almost as if inhuman in itself, suggesting that the World's problems are not easily vanquished by technology - a total sacrifice of the World's inhabitant's souls. Spielberg of course is well served by the supreme professionals he has at his disposal, he has also managed to garner a great performance from Tom Cruise, something that critic and fan favourite directors have not managed to do previously. Believable grief, action work as strong as ever, it is however with his ability to imbue a tortured film noir protagonist where Cruise excels the most.
Alongside Cruise and operating with great impact are Samantha Morton as Pre-Cog Agatha and Max Von Sydow, the latter adding that touch of experienced know how needed for his particularly important character. The odd casting choice appeared to be Colin Farrell as the meddling, almost vindictive Danny Witwer, but he plays well off of Cruise, this even if he veers dangerously close to comic book villainy at times (check out a holy smoke Batman scene). What action there is is first rate, from a jet back pack pursuit, to car jumping heroics, the sequences are crafted with Spielberg's deft eye for an action sequence. While the sick sticks (yes you read right) metal spiders and a brilliant Peter Stormare cameo should hopefully have you squirming and grinning in equal measure.
Which brings us to the finale, an ending that may not be a complete surprise (yet it still doesn't cop-out in context to Anderton's tragedy), but things are rounded off in true classic noir tradition, where it closes down a thinking man's tech-noir. Superb. 9/10
Works more on the strength of Spielberg than of Cruise.
_Final rating:★★★ - I personally recommend you give it a go._
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